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SEPTEMBER

17

On top of lots of other awards, you

won the Edinburgh Fringe Comedy

Award last year. How did that feel?

It was really unexpected, and felt really cool.

If I’d have just won it out of the blue, I’d have

felt bad, but I’d been nominated three times,

so I was alright with it. It felt good and I

didn’t feel like a fraud.

You’re touring your new show,

Not A

People Person

– what’s it about, and

what were you aiming for when you

wrote it?

I wanted to get away from what I did last

year with the award-winning show – it

had some darkness in it, and judges and

audiences kind of attach themselves to that

idea of “he’s exposing himself”, because

I’m such an absurd comedian, but this year

I just wanted to do a really funny show. I’ve

gone back to some old ideas I had – it’s really

original stuff, what I love to do, so that’s a

cool thing. There’s a lot of animal politics in

there, too, because I used to be a zookeeper.

And how’s it been going so far?

It’s been really busy, crazy, lots of pressure

because the audience is like “Oh, you’re the

funniest guy?” You know, I’ve just got to be

an idiot for an hour, but because what I do is

not seen as conventional stand-up, they can

get a bit confused – but I’ll win them over in

the end!

Do you have every bit of the show

planned out, or does some of it

depend on the night?

It changes every single night at the moment

because I’m swapping it around, which is

interesting because some nights, reviewers

will come in and it will be quite perfect, then

other nights I’ll have swapped it around

and think it worked better the other way. It

depends on how the audience is, as well. I

like to talk to the audience, it makes it unique

from night to night, and so they don’t feel like

you’re just thinking about the script.

CONCIERGE

MY TIME

What do you enjoy most about your

job, would you say?

I guess I love creating the show. I love it

when it goes really well. I get a buzz from

what I do. I do miss routine, I’ve got to say,

that’s the main thing that gets me a bit down

sometimes – it’s erratic, you travel out to

somewhere weird, like Milton Keynes, and

you don’t get home till three in the morning.

The touring can be a bit yucky. I know it’s

a great job, you get to stand up in front of a

group of strangers, but sometimes you don’t

talk to anyone all day, you get a coffee, then

you’re suddenly staring 300 people in the eye.

It’s a bit unnatural. I yearn for that normalcy

of what I used to do – look after animals, and

work with normal people.

Do you ever wish you were still a

zookeeper?

Yeah, a lot. I miss the camaraderie of

working with other people, mainly because

hanging out with other comedians all the

time is the worst. Everyone’s funny all the

time, which is really draining. I once had a

panic attack in a car, heading back from a

festival with three comedians because I just

couldn’t do it any more. It was like at the

four-hour point, and no-one would shut up,

everyone was zinging and going “Oh yeah,

look at that guy out the window,” and “Ooh,

look at that,” and I was like “Stop the car, I’m

38, I’ve had enough, I’m getting out.” The

funniest people I know in my life are not on

stage, not comedians, they’re my dear friends

from childhood, my uncle Terry and my wife.

If you weren’t a comedian and you

had to be an animal in the zoo for a

day, which one would you be?

I think I’d be a Slow loris – it’s a primate,

a beautiful little animal with a ridiculous

defense mechanism where they have a toxic

gland in their elbow, and if they lick it and

stimulate it, it can paralyse a bug. They’re

really cute. Or a tapir. I love them. They’re

like space dogs.

You’ve been working on various TV

programmes about animals, too,

haven’t you?

Yes. There’s a zoo-based sitcom with

Channel 4, which will hopefully come out

sometime, it’s in process at the moment,

but the Attenborough-style documentaries,

that’s what I really love. I’ve had a series

commissioned in the US. I’d love to work

with the natural history department at the

BBC, who I talk to a lot. Factual stuff about

animals, and working with people who

are passionate about animals. That would

be my absolute dream. In the meantime,

I’m working with Mark Watson, we work

together in radio here.

Are there any places on the UK tour

that you haven’t been to before that

you have high hopes for?

Definitely Belfast – it’s got such an interesting

history, and also loads of great actors come

from there. I love Brighton, too, so I’m

looking forward to going back there. The rest

is undiscovered, but I’m sure it will be fun – as

long as there’s nowhere like Milton Keynes,

I’ll be happy.

See

Sam Simmons: Not A People

Person

from 29th September. For more

information, visit

www.pbjmgt.co.uk.

This year I just wanted to do a really funny show.

I’ve gone back to some old ideas I had – it’s really

original stuf f, what I love to do. There’s a lot of animal

politics in there, too, because I used to be a zookeeper